writer: Mike Flanagan
152Minutes
Audience Score: 99496 votes
Country: USA
genres: Horror, Drama
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Nothing much original. Alien (1979) mood music is actually copied into the movie. The blatant and supposedly super-creepy early scenes are so obvious and don't really smoothly connect. The audience is given this spoon-fed, stereotypical drunk, washed up man that is confusingly a huge departure from a few earlier scenes when he was a boy. There's the sudden, impulsive revelation of a soap dispenser that comes out of nowhere that's too much of a plot ploy. The origin of the movie's title - Doctor Sleep - in the movie while somewhat powerful, also seems to be introduced as a script-required element that ties one of the earlier beginning scenes together.
The inconsistent use editing of the movie is part of the problem. The early portions of the movie would have been better used as flashbacks so as to allow the more potent details of the here and now pacing of the movie enhanced by flashes from the past. But then later flashbacks are introduced that are excluded from the beginning of the movie that would have offered a better comprehensive backstory and flow to the plot and character development.
The character and tone of Doctor Sleep departs so drastically from its classic predecessor The Shining (1980) that this movie appears to have only erratically captured Stanley Kubrick's masterful original unable to follow in the same artful craftmanship Even the lengthy time duration over which this movie runs, eight years in addition to the beginning scenes of years earlier severely departs from the smooth, immediate continuity of The Shining itself. It would have been fascinating to see an early juxtaposition of this movie with more scenes from The Shining as a way of fusing the two movies together allowing them to build onto each other, making both stronger and connected.
Just as The Shining was indirect in a delicious way, Doctor Sleep seems to be directed and story boarded in a blunt and overly transparent approach, leaving little to the imagination or the mystery and magic of the unknown occult. Additionally, the Sleep Doctor incorporates the profusion of so many different characters unlike The Shining that it diffuses the intensity and focus of each character. With this many characters they become almost two-dimensional, flat stick figures without any depth of personality as with the young seemingly sweet, innocent woman in the first half of the movie, In many ways this movie would have been better suited to have been produced and written as a standalone movie based on its own stories and plot elements such as Clint Eastwood's Hereafter (2010) with Matt Damon.
Attempts to dazzle with special effects instead of story. It attempts to entice its audience with the "lazy" vehicle of heightened physical and malevolent violence that only serves to provide a typical horror movie motif instead of something more refined and sophisticated. Instead of black and white depiction of good and evil, the movie could have offered up the evil more in a tortured sympathetic way with the cult-like groupies offering up prays and sacrifice in return for power and strength.
The movie is also filled with inexplicable editing jumps, such as a scene suddenly reveals Dan getting up from the floor without any prefacing introducing to the scene after a series of other supposedly creepy events. There is evil woman, Rosie, saying "We've got a problem. and then says counterintuitively, We have to have her." In most other situations, the normal response would have been 'we need to get as far away as possible for the little girl.' The problem with this movie is imbalance in plot and storyline and a decision to not spend more time on creating a story that had some nuanced sensibility. There is an understandable and plausible depiction of reluctance on Dan's part to get involved and to just avoid and protect the little girl and yet the storyline unnaturally just won't allow for it to happen that way and thus a box is opened in an attempt to smooth over this odd conundrum that scriptwriter ended up with. And really why does the little girl even need Dan in this movie? There is the cliché of "do you want to do this. I have to response" even after discussing the need to try to locate the whereabouts of the groupie cult. In many ways, the movie could have used a much stronger central figure, someone who grew and matured as a result The Shining, coming from a position of power and confidence instead of some sort of hurt, redemptive reconciliation that took up more than a fourth of the movie that didn't do its character's elongated struggle justice.
Problems abound in this movie. There is even a shooting which really wasn't laid out well for cross fire again revealing a rather lazy, sloppy approach to script writing as well as aptly described as "parlor tricks" which seem to be beneath the dignity of the user demonstrated earlier and of all the characters to become "sleepy" is really an inconsistent choice. Then later the mother seems to go missing in the movie. There is observation that "listening" doesn't involve concentration and tightening of one's body and face, but relaxing and opening up. And there is a little girl that's directed by director who isn't able to bring out her masculine nature.
This is a rather gory, parody of vampiric movies that barely resembles the original Shining that results in an only dull imitation with flashes of potential.
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